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It’s Time to Deliver Again ‘Enemy Mine’

The 1985 movie Enemy Mine tells the story of two troopers—one human and one alien—who turn out to be unlikely allies when they’re stranded collectively on a desolate planet. TV author Andrea Kail says that even a standout efficiency by Louis Gossett Jr. can’t save the film.

“I keep in mind actually liking this film once I noticed it nevertheless a few years in the past, nevertheless it didn’t stand as much as my reminiscence,” Kail says in Episode 490 of the Geek’s Guide to the Galaxy podcast. “It was shot like a B-movie. Dennis Quaid was over-the-top, the music was overwrought. I simply discovered it a lot much less gratifying than it ought to have been.”

Geek’s Information to the Galaxy host David Barr Kirtley agrees that the movie is lackluster, which is a disgrace contemplating that it’s primarily based on an award-winning novella by Barry Longyear. “The [novella] is actually, actually touching,” Kirtley says. “It’s the story of this man studying to grasp one other tradition, after which passing it on to a baby. That’s what it’s about. It’s lovely.”

The film builds to a corny, tacked-on finale through which the human soldier goes on a gory rampage. Humor author Tom Gerencer says the ending is especially odd given the pacifistic themes of the remainder of the movie. “The entire half the place he’s killing everybody, I’m like, ‘What’s the purpose right here?’” he says. “Now he’s discovered to be peaceable, and he’s simply killing all these individuals?”

Science fiction writer Matthew Kressel says the time is correct for a brand new model of Enemy Mine that stays nearer to the supply materials. “I feel this film might be remade, in the event that they did it with trendy particular results,” he says. “I feel it’s a timeless message—that we shouldn’t dehumanize someone simply because they’re unfamiliar to us.”

Take heed to the whole interview with Andrea Kail, Tom Gerencer, and Matthew Kressel in Episode 490 of Geek’s Information to the Galaxy (above). And take a look at some highlights from the dialogue under.

David Barr Kirtley on The Last Starfighter:

“After I noticed it as a child, it appeared rather more critical and dramatic to me, and watching it now the tone is extra like Galaxy Quest. It’s actually, actually foolish—in a enjoyable approach. … I feel they are saying this can be a federation of 800 worlds or one thing, they usually solely have 12 fighter pilots to combat for them? After which they’ve this wall of satellites to defend them from the dangerous guys, and it’s like, ‘No, dudes, we’re in outer house.’ I imply, presumably it must be a sphere round all 800 worlds. So what number of of this stuff are we speaking about? Perhaps that’s why they solely have 12 fighter pilots—as a result of they spent all their cash on this gigantic wall.”

Matthew Kressel on Enemy Mine:

“Every time we combat one other group, we dehumanize them so as to have the ability to kill them. ‘Oh, they’re inhuman monsters!’ Whenever you see them as one other particular person—on this case it’s an alien—however once you see the soul of them, nose to nose, and that they’re identical to you, and in some methods higher than you, I feel that’s a robust message. … [The alien] says, ‘We have been right here a thousand years earlier than you,’ and clearly it’s a type of issues the place either side suppose they’re proper, however they each basically need the identical issues. So after we get to the top, the place Davidge is reciting the traditional lineage on the Drac homeworld, I discovered that unexpectedly transferring.”

Tom Gerencer on Flight of the Navigator:

“I had solely ever seen the half the place he’s flying round on the spaceship with Pee-wee Herman speaking to him, so I used to be like, ‘That film is totally silly.’ After which once I had to return final week and watch this film from begin to end, I used to be like, ‘Holy crap, that’s so cool that he reveals up, and he hasn’t aged, nevertheless it’s eight years later, and his mother and father are all bereaved.’ I used to be like, ‘Wow, I had no thought this film had one thing cool about it.’ So I actually loved that, and by advantage of that I loved watching the remainder of the film too, as a result of I used to be like, ‘Now there’s context, and I perceive what’s happening.’ So I actually loved this film, however largely as a result of I had solely ever seen the half with no plot in it.”

Andrea Kail on Short Circuit:

“I’ve very fond recollections of this film. I keep in mind once I was a youngster pondering it was completely hilarious. There was one line that I hadn’t considered in years, however as quickly as Fisher Stevens stated it, I used to be like, ‘Oh my god. I keep in mind saying that backwards and forwards with my buddy on the time,’ as a result of we thought it was so hilarious. It was the road, ‘I’m sporting an amazing woody proper now.’ And we’d say it in that horrible Indian accent. I assumed it was hilarious then, and I see it now and it’s so cringeworthy and terrible. We’ve been doing all these ’80s films—the dangerous ones, the nice ones—and it feels to me like we’re not solely being nostalgic, but in addition confronting the ghosts of our previous: the informal racism, the misogyny that was so prevalent within the ’80s.”


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